The Structure of the Artistic Text by Yuri M. Lotman, , available at Book Depository with free delivery worldwide. SLA VIC CONTRIBUTIONS. JURIJ LOTMAN. THE STRUCTURE OF. THE ARTISTIC TEXT. Translated- from the Russian. by Gail Lenhoff ana Ronald Vroon. MICHIGAN SLA VIC CONTRIBUTIONS JURIJ LOTMAN THE STRUCTURE OF THE ARTISTIC TEXT Translated” from the Russian by Gail Lenhoff and Ronald V .

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You lf log in to edit Common Knowledge data. And since any two words whatsoever may be juxtaposed on the basis of some equivalent feature, this possibility is more or less unlimited. The Structure of the Artistic Text.

It is the most complex form of discourse imaginable, condensing together several systems each of which contains its own tensions, parallelisms, repetitions and oppositions, and each of which is continually modifying all of the others. Juri Lotman ; 28 February — 28 October was a prominent literary scholar, semioticianand cultural historianwho worked at the University of Tartu. This page was last edited on 9 Septemberat Demobilized from the army inhe returned to his studies lotmah the university and received his diploma with distinction in An individual word may relate to another word through assonance, to another through syntactical equivalence, to yet another through morphological parallelism, and so on.

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“In his works The Structure of the Artistic Text

Lotman studied the theory of cultureRussian literature, history, semiotics and semiology general theories of signs and sign systemssemiotics of cinema, arts, literature, robotics, etc. References to this work on external resources. Revzin and Georgii Lesskis. Wikimedia Commons has media related to Yuri Lotman. A poem, in fact, can only be re-read, not read, since some of its structures can only be perceived retrospectively.

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Lotman Jurij. The Structure of the Artistic Text [PDF] – Все для студента

Even the absence of certain devices may produce meaning: The meaning of the text is not just an internal matter: Recently added by hnsvljnMarioCortipetronius86t. His elder sister Inna Obraztsova graduated from Leningrad Conservatory and became a composer and lecturer of musical theory, his younger sister Victoria Lotman was a prominent cardiologist, and his third sister Lidia Lotman was a scholar of Russian tdxt of attistic second half of the 19th century on staff at the Institute for Russian Literature of the Russian Academy of Science Pushkin House she lived in Saint-Petersburg.

Sign relation relational complex. Unable to find an academic position in Artistuc due to anti-Semitism he was unable to apply for a PhD programLotman went to Estonia in and from began his work as a lecturer at the Department of Russian language and literature of Tartu University and later became head of the department. He was the founder of the Tartu—Moscow Semiotic School. InLotman coined the term semiosphere.

Biosemiotics Cognitive semiotics Computational semiotics Literary hte Semiotics of culture.

Lotman graduated from secondary school in with excellent marks and was admitted to Leningrad State University without yhe to pass any exams. The literary work, indeed, is a continual generating and violating of expectations, a complex interplay of the regular and the random, norms and deviations, routinized patterns and dramatic defamiliarizations.

The Structure of the Artistic Text

dtructure Bust of Yuri Lotman by Lev Razumovsky, Despite this unique verbal richness, Lotman does not consider that poetry or literature can be defined by their inherent linguistic properties.

Become a LibraryThing Author. In poetry, it is the nature of the signifier, the patterns of sound and artistjc set up by the marks on the page themselves, which determines what is signified. Google Books — Loading There he studied philology, which was a choice he made due to Lidia Lotman’s university friends actually he attended university lectures in philology whilst he was still at secondary school. Retrieved from ” https: Lightweight Theme by Artur Kim. Views Read Edit View history.

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By using this site, you agree to the Terms of Use and Privacy Policy. Whatever we perceive in the text is texf only by contrast and difference: If two words are associated together because of their similar sound or position in the metrical scheme, this will produce a sharper awareness of their similarity or difference of meaning. His archive which is now kept at the University of Tallinn and at the Tartu University Artkstic which includes his correspondence with a number of Russian intellectuals, is immense.

Lotman Jurij. The Structure of the Artistic Text

In he received the Gold Medal of Philology, the highest award for a tne scholar. I Agree This site uses cookies to deliver our services, improve performance, for analytics, and if not signed in for advertising. Project Gutenberg 0 editions. Home Groups Talk Zeitgeist. Differences and parallelisms in the text are themselves relative terms, and can only be perceived in relation to one another.

His professors at university were the renowned lecturers and academicians — GukovskyAzadovskyTomashevsky and Propp. No current Talk conversations about this book.